12.28.2009
Christmas tags
As usual, I waited until the last minute to make my Christmas cards and gift tags. Fortunately, Dad (professor Robert C. Brown) had been looking for an excuse to try out his trusty new watercolor set, and so we found ourselves busily making art on Christmas eve. He painted the tags as I finished drawing them, and I even managed to coerce him into painting his own card! Who needs Hallmark anyway? :) Painting credits: Robert C. Brown
Labels:
friendly wizard,
Holiday cards,
penguin
12.15.2009
Final figure drawings of 2009
After taking a 6 month hiatus from figure drawing, I decided to trek over to the last MCAD-hosted cooperative of the year. It's within walking distance, only $5, professionally organized, and the model last night was exceptional. I was also glad to see many people in attendance on such a cold night.
As usual, my first half dozen gestures were abysmal. I don't know if I will ever be able to shake a handful of bad habits that consistently pop up when I am drawing people from life: poor proportions, over-reliance on line, inability to sense form. I suspect this is partly due to the remarkable human ability to sense even the slightest anatomical error in renderings of people. But I also sense a certain anxiety when I know I'm about to draw a human being, an anxiety that is absent when I attempt to draft any other subject. Weird.
Labels:
Figure drawing
12.08.2009
What they see
Labels:
Kenneltraz,
pet perception
12.06.2009
More geese
Finished full-color cover and penciled interior illustrations for the goose project. I scanned the last two drawings before adding value, and I plan to add color to them in the near future.
Labels:
children's book illustration,
Goose
11.22.2009
11.01.2009
10.28.2009
Prison isle
A prison island inspired by Alcatraz (lighthouse, smokestack, water tower). I must have had The Curse of Monkey Island in mind as I drew this. Remember the Plunder Island map with those dramatic cinnamon roll clouds? I might try a darker, more severe version next.
Labels:
Alcatraz,
monkey island clouds,
prison island
10.22.2009
Architectural identity crisis
A value study and more detailed sketch of the lab set for scene 1 of the virtual play to be staged in the aforementioned classical/byzantine-esque theatre. The play is about robots, and it's rather edgy. My kind of drama. Presently reworking the architectural flourishes to make it a bit less Victorian (although I'm definitely keeping the Frankenstein-derived "lightnining bulbs") and a bit more art deco. At least, that's the idea.
Labels:
interactive entertaienment,
robot love,
Virtual set
10.13.2009
Groundling theater
Labels:
concept art,
derelict,
Hagia Sophia,
Pantheon,
Theater
10.10.2009
Treehome
My third and final rough for the Goose project. Having trouble making Oliver stand out against the background. I'm also unhappy with the overall sense of light and shadow. Perhaps if I knock back the value throughout the image and then selectively bring back key areas--Oliver's silhouette, the edge of the stack of books--I'll achieve the look I have in mind. Right now, I think there is a bit too much ambient light.
Labels:
children's book illustration,
Goose,
treehouse
10.09.2009
Book cover
My idea was to mimic those old promotional air force posters from WWII. I got the idea to put billowing clouds from this war bonds poster.
Labels:
children's book illustration,
ethereal clouds,
Goose
10.08.2009
Goose update
A WIP of one of the illustrations I'm working on for the Goose book. This is a 1/3 resolution rough sketch with a bit of colour thrown in to give me an opportunity to play with value, and as an excuse to practice :) After I get this approved, I'll blow up the drawing, transfer it to board, and redraw the scene without all those chicken scratches. Critiques are, as always, heartily welcomed!
9.11.2009
Sketch roundup






9.01.2009
Another round of sketches from India




Labels:
antique cars,
Charminar,
Chowmahalla,
Hyderabad,
Indian Chief motorcycle,
limeade
8.27.2009
More sketches from India





8.24.2009
India sketchbook
I didn't obtain access to a scanner until the day before I left India, and then I was so busy gorging myself on a final round of dosas, stuffed lady fingers, and parathas that I ran out of time to post the scans. Bummer. Here are a couple of images from the little spiral-bound (+ pen and tiny watercolor set) I carried with me everywhere I went.

Imaginative sketches made during my "Delhi belly"-induced confinement.
Inspired by the craggy hills surrounding the village of Palampur.(I didn't have time to make a sketch on-site, so I had to rely on memory.)
Statues from the home I stayed at in Hyderabad. The Shahs had countless antique paintings, carvings, and statues lining the walls, floors, and ceilings.
And a quick sketch of one of those bloody autorickshaws that contribute so much to noise, pollution, and traffic deaths in India. But in the middle of the night on a crowded freeway lined with 8" speedbumps, riding in the back of one of the little devils WAS an experience...





Labels:
Andhra Pradesh,
autorickshaw,
Delhi belly,
Ganesh,
Palampur,
Vishnu
7.21.2009
a question of style
So, I can't decide if I want to illustrate all 100 fruits + veggies for "SeasonalChef" in Illustrator

or Flash

I guess I could switch between programs depending on the visual complexity of each consumable, but I was rather hoping to stick with one application. I'm sure this is directly related to me being familiar, but far from adept, with both drawing programs. The mesh gradient tool in Illustrator is a godsend for knobby, elongated, twisted, or otherwise funky veggies. But I really like how Flash gives the ability to localize alpha channels in gradients without messing around with masks. What a tragic dilemma.

or Flash

I guess I could switch between programs depending on the visual complexity of each consumable, but I was rather hoping to stick with one application. I'm sure this is directly related to me being familiar, but far from adept, with both drawing programs. The mesh gradient tool in Illustrator is a godsend for knobby, elongated, twisted, or otherwise funky veggies. But I really like how Flash gives the ability to localize alpha channels in gradients without messing around with masks. What a tragic dilemma.
Labels:
Vector vegetable illustrations
7.20.2009
Learn cell biology in 10 easy steps!




The set of posters that will be on display in India. Thanks again to Will Schneller for assembling and rendering many of the 3D assets.
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