A completely different take on the prison island concept.
11.01.2009
10.28.2009
Prison isle
A prison island inspired by Alcatraz (lighthouse, smokestack, water tower). I must have had The Curse of Monkey Island in mind as I drew this. Remember the Plunder Island map with those dramatic cinnamon roll clouds? I might try a darker, more severe version next.
Labels:
Alcatraz,
monkey island clouds,
prison island
10.22.2009
Architectural identity crisis
A value study and more detailed sketch of the lab set for scene 1 of the virtual play to be staged in the aforementioned classical/byzantine-esque theatre. The play is about robots, and it's rather edgy. My kind of drama. Presently reworking the architectural flourishes to make it a bit less Victorian (although I'm definitely keeping the Frankenstein-derived "lightnining bulbs") and a bit more art deco. At least, that's the idea.
Labels:
interactive entertaienment,
robot love,
Virtual set
10.13.2009
Groundling theater
Labels:
concept art,
derelict,
Hagia Sophia,
Pantheon,
Theater
10.10.2009
Treehome
My third and final rough for the Goose project. Having trouble making Oliver stand out against the background. I'm also unhappy with the overall sense of light and shadow. Perhaps if I knock back the value throughout the image and then selectively bring back key areas--Oliver's silhouette, the edge of the stack of books--I'll achieve the look I have in mind. Right now, I think there is a bit too much ambient light.
Labels:
children's book illustration,
Goose,
treehouse
10.09.2009
Book cover
My idea was to mimic those old promotional air force posters from WWII. I got the idea to put billowing clouds from this war bonds poster.
Labels:
children's book illustration,
ethereal clouds,
Goose
10.08.2009
Goose update
A WIP of one of the illustrations I'm working on for the Goose book. This is a 1/3 resolution rough sketch with a bit of colour thrown in to give me an opportunity to play with value, and as an excuse to practice :) After I get this approved, I'll blow up the drawing, transfer it to board, and redraw the scene without all those chicken scratches. Critiques are, as always, heartily welcomed!
9.11.2009
Sketch roundup






9.01.2009
Another round of sketches from India




Labels:
antique cars,
Charminar,
Chowmahalla,
Hyderabad,
Indian Chief motorcycle,
limeade
8.27.2009
More sketches from India





8.24.2009
India sketchbook
I didn't obtain access to a scanner until the day before I left India, and then I was so busy gorging myself on a final round of dosas, stuffed lady fingers, and parathas that I ran out of time to post the scans. Bummer. Here are a couple of images from the little spiral-bound (+ pen and tiny watercolor set) I carried with me everywhere I went.

Imaginative sketches made during my "Delhi belly"-induced confinement.
Inspired by the craggy hills surrounding the village of Palampur.(I didn't have time to make a sketch on-site, so I had to rely on memory.)
Statues from the home I stayed at in Hyderabad. The Shahs had countless antique paintings, carvings, and statues lining the walls, floors, and ceilings.
And a quick sketch of one of those bloody autorickshaws that contribute so much to noise, pollution, and traffic deaths in India. But in the middle of the night on a crowded freeway lined with 8" speedbumps, riding in the back of one of the little devils WAS an experience...





Labels:
Andhra Pradesh,
autorickshaw,
Delhi belly,
Ganesh,
Palampur,
Vishnu
7.21.2009
a question of style
So, I can't decide if I want to illustrate all 100 fruits + veggies for "SeasonalChef" in Illustrator

or Flash

I guess I could switch between programs depending on the visual complexity of each consumable, but I was rather hoping to stick with one application. I'm sure this is directly related to me being familiar, but far from adept, with both drawing programs. The mesh gradient tool in Illustrator is a godsend for knobby, elongated, twisted, or otherwise funky veggies. But I really like how Flash gives the ability to localize alpha channels in gradients without messing around with masks. What a tragic dilemma.

or Flash

I guess I could switch between programs depending on the visual complexity of each consumable, but I was rather hoping to stick with one application. I'm sure this is directly related to me being familiar, but far from adept, with both drawing programs. The mesh gradient tool in Illustrator is a godsend for knobby, elongated, twisted, or otherwise funky veggies. But I really like how Flash gives the ability to localize alpha channels in gradients without messing around with masks. What a tragic dilemma.
Labels:
Vector vegetable illustrations
7.20.2009
Learn cell biology in 10 easy steps!




The set of posters that will be on display in India. Thanks again to Will Schneller for assembling and rendering many of the 3D assets.
7.14.2009
assorted sketches




A few sketches I've had lying around for a while. I re-penciled the "steamobile" for the book, eventually hope to paint it and make it into a proper illustration. The first scan is a little card I made for a friend who was kind enough to buy me lots of flour on her last day at Whole Foods (employee discount!) I have more bits and pieces on my drawing table, but I need to find motivation to draw before I can hope to be moved to scan anything in.
6.22.2009
Plant biology posters



I am working with a couple of people at Iowa State to assemble a series of posters that will be used to supplement high school-level plant biology instruction. These represent the first half of the set of 12-16 2'x3' posters. (It has been frustrating to observe my aged system feebly grabble with the massive 7200x10800 Photoshop files. 2GB of RAM seemed like so much two years ago...)
I am still attempting to settle on a consistent visual style. Right now, the posters don't complement each other quite as well as I'd like them to. Deciding how to handle lettering has been one of my biggest challenges. I rather wish I had taken a typography course at university.
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